Nice
post on Guthrie. I have had minimal
exposure to Guthrie and enjoyed both passages in your prompt. It seems to me that Guthrie, like Whitman, loves
the “idea” (or potential) of America but is dismayed by the “execution” of
America (by execution I mean the manner of performance, not putting to death). Start with the Pastures of Plenty lyrics. I
feel a number of competing sentiments embedded within the song. While Guthrie highlights the diversity and
fecundity of the land, you feel a sense of him being controlled by the land, or
by those that control the land. In some
ways, the song feels like a slave work song, particularly the opening
lines. The “you” in the lyrics seems to stretch
beyond its initial meaning of America or individual states, and to individual owners
of certain pieces of the land. When
Guthrie sings “We’ll work in this fight and we’ll fight till we win,” the
target of this fight is nebulous but my sense is that Guthrie is lamenting the
intermediation of the proverbial “man” in his association with the land of
America. Thus when he speaks of the
freedom he is willing to fight for in the closing lines of the song, he is not
referring to foreigners or other outside forces but those among us who look to
disturb the natural connection between humanity and our desire to work. This Land
is Your Land works in a similar manner.
The song begins with an ode to the land of America and a celebration of
our shared identity with the land, and ends by questioning the current status
of that identity. He again ends the song
with a statement of defiance (“Nobody living can ever stop me”) as he looks to reestablish
that which, in his mind, made the land of America great in the first place.
Idea vs. execution, yes. Like Whitman, Guthrie is inspired by the abundance of the land and the diversity of people, but in his vision there are significant obstacles to achieving the potential these resources promise. I like your observation about the different possible "you"s in "Pastures of Plenty;" there does seem to be a segment of society he is implicating in the migrant workers' plight. Somebody is settled in the city, drinking sparkling wine while the migrants "come with the dust and...go with the wind."
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